Welcome back to another blog hop, with #OpenBook. Here’s this week’s prompt.
Don’t forget to click the purple button to see what everyone else has to say on this week’s subject. It’s at the end of my post.
Do you ever write short stories? What do you see as the biggest difference in the writing process between a short story and a full-length book?
As well as my novels, I’ve written over fifty short stories and flash fiction pieces. Some of them were ideas for longer stories that never developed, some are complete and need nothing more while others have been the basis of novels and even series.
The trouble is, I never know when I start writing which one of the above my words will end up being. I’ve never set out to deliberately write a short story, I’ve always just written and waited to see where it goes.
My short stories are contained in these three volumes, there are also a few which are scattered around in various anthologies. They often feature as giveaways in my newsletter. Click the picture to go to the Amazon sales page.
To illustrate what I mean about a short story leading to more, my amateur detective Andorra Pett now has a six-part series that started out as a short story. And there are plans for a seventh part, as well as a spin-off series.
The short form gives any writer a chance to try new ideas and styles, even a genre change.
You can experiment and see what works, develop characters and settings, try a different point of view, whatever takes your fancy.
You can use them as a showcase for a new character, a chance to provide more depth to a series, a reward for your newsletter subscribers or as a way of introducing new readers to your work.
But, there are important considerations, despite the logical assumption that they are just stories of different lengths, the short and long forms are completely different.
In a novel, while you still need action and interest from the first page, you have time to set a scene. You can let the reader get comfortable in the world you’ve created. In a short story, every word has to earn its place and you need to be up and running with action from the start. The plot needs to move a lot quicker; backstory and setting are pared right back and the emphasis is placed on keeping things moving.
Which is not to say that there shouldn’t be depth, I suppose my ultimate aim in a short story would be to bring a planet to life in three sentences, by giving the reader enough in them to let them visualise the rest on their own.
This brings us neatly back to the idea that every word has to have a purpose.
Not only that, your short story needs an instant conflict and an ending that will guarantee resolution. If possible, there needs to be as big a twist or shock as you would get in any novel.
Until next time.
Let me know what you think about this week’s subject.
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